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Author Archives: Kelvin Smith
Tite and Snobby or Doolittle and Dalley?
The River Girl by Wendy Cope appeared in 1991 with lovely brush illustrations by Nicholas Garland. The narrative poem tells the tale of a young writer who, inspired by the river girl muse, becomes a great literary success. This does … Continue reading
Penguin…and all the other things we once thought mattered
Kif, the narrator of Richard Flanagan’s First Person, is writing a novel, but it’s going nowhere when his old pal Ray gets him the job of ghostwriting Ziggy Heidl’s autobiography. That’s how he and Ray ‘drifted into that world of … Continue reading
Publishing lunch in New York
Kay Norris, one of the main characters in Ira Levin’s Sliver, is an editor at Diadem, and she epitomises the supposed glamour of New York trade publishing in the 1980s. She lunches in the Grill Room of the Four Seasons … Continue reading
On the shelf
In Austin Dobson’s A Bookman’s Budget of 1917, the compiler reproduces one of his own poems (On the Shelf first published in Methuen’s Annual) concerning the history of the books on the aforementioned shelf. The poem contains the following lines … Continue reading
Angel’s publisher and life-long friend
There are two men in the life of the eponymous Edwardian novelist in Elizabeth Taylor’s 1957 novel Angel. She adores and marries one, the painter Esmé Howe-Nevinson. He is a wastrel and a philanderer, loses a leg in the 1914-18 … Continue reading
Flip books unite alternative fact and fiction
At the beginning of Yann Martel’s Beatrice and Virgil, Henry introduces the concept of the flip book: ‘a book with two front doors, but no exit’. The fiction will start at one end and the non-fiction essay at the other. Meeting with … Continue reading
Mr Big Nose, our publisher
I have been sent a couple of pages of The 13-Storey Treehouse, one of which contains a picture of Mr Big Nose, a publisher who is demanding his book from the hapless authors. They make the following observation. We were … Continue reading
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