Who exactly buys “art books”?

‘Who exactly buys “art books”?’ Widmerpool asks in Volume 2 of A Dance to the Music of Time, the sort of difficult question the newcomer to publishing may be asked at any party, and not always one that can be answered convincingly.

His questions became more searching when I tried to give an account of that side of publishing, and my own part in it. After further explanations, he said: ‘It doesn’t sound to me like a very serious job.’

Widmerpool advises the narrator: ‘You should look for something more promising. From what you say, you do not even seem to keep very regular hours.’

The answer is revealing about one of the pleasures of a publishing career in former times: ‘That’s its great advantage.’

Anthony Powell, A Buyer’s Market, 1952

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